Ghigo Roli photographer

Dante Alighieri

A tribute to Dante Alighieri and the Divine Comedy. Here are some portraits of the great fourteenth-century poet such as that by Bronzino and, among others in Florence, the statue in front of the Basilica of S. Croce, the portrait in the Cathedral of S. Maria del Fiore and that in the Palazzo dell'Arte dei Giudici and Notai. There are also some paintings with subjects that refer to the masterpiece of the father of the Italian language.

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“The Simoniacs, Hell, canto XIX”, by Franz von Bayros, 1921, illustration.

“The Simoniacs, Hell, canto XIX”, by Franz von Bayros, 1921,...

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“Dante and Virgil in the Hell”, by Otto Greiner, 1896,

“Dante and Virgil in the Hell”, by Otto Greiner, 1896,

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“Dante meets Virgil. Hell, canto I”, by Pietro Senno, 1901, oil painting on canvas. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3. Detail.

“Dante meets Virgil. Hell, canto I”, by Pietro Senno, 1901,...

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“Dante meets Virgil. Hell, canto I”, by Pietro Senno, 1901, oil painting on canvas. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“Dante meets Virgil. Hell, canto I”, by Pietro Senno, 1901,...

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“Devils mauling each other. Hell, canto XII”, by Giovanni Fattori, 1901, charcoal on paper. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“Devils mauling each other. Hell, canto XII”, by Giovanni Fa...

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“Ciampolo of Navarre in the Lake of pItch. Hell, canto XXII”, by Adolfo De Carolis, 1901, charcoal with white pastel highlights on paper. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“Ciampolo of Navarre in the Lake of pItch. Hell, canto XXII”...

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“The Giants. Hell, canto XXXI”, by Duilio Cambellotti, 1901, charcoal with white pastel highlights on paper.

“The Giants. Hell, canto XXXI”, by Duilio Cambellotti, 1901,...

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“The Giants. Hell, canto XXXI”, by Galileo Chini, 1901, coloured crayons on paper. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“The Giants. Hell, canto XXXI”, by Galileo Chini, 1901, colo...

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“Diana dismisses the nymph Helice, Purgatory, canto XXV”, by Plinio Nomellini, 1902, pen and coloured tempera on paper. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“Diana dismisses the nymph Helice, Purgatory, canto XXV”, by...

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“St. Francis and Poverty, Paradise, canto XI”, by Giuseppe Mentessi, 1902, pastel on paper. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“St. Francis and Poverty, Paradise, canto XI”, by Giuseppe M...

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“Dante clashes with Bocca degli Abati, Hell, canto XIII”, by Alberto Martini, 1901, pen, brush, India ink, tempera highlights on paper. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“Dante clashes with Bocca degli Abati, Hell, canto XIII”, by...

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“Dante clashes with Bocca degli Abati, Hell, canto XIII”, by Alberto Martini, 1901, pen, brush, India ink, tempera highlights on paper. Illustration for the Divine Comedy published by F. lli Alinari in 1902-3.

“Dante clashes with Bocca degli Abati, Hell, canto XIII”, by...

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“The Island of the Dead”, by Otto Vermehren, 1886-1900, oil painting on canvas.

“The Island of the Dead”, by Otto Vermehren, 1886-1900, oil...

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“Paolo Malatesta and Francesca da Rimini”, by Auguste Rodin, 1905, marble.

“Paolo Malatesta and Francesca da Rimini”, by Auguste Rodin,...

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“Paolo Malatesta and Francesca da Rimini”, by Auguste Rodin, 1905, marble.

“Paolo Malatesta and Francesca da Rimini”, by Auguste Rodin,...

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“Pia de’ Tolomei”, by Domenico Trentacoste, 1896, plaster.

“Pia de’ Tolomei”, by Domenico Trentacoste, 1896, plaster.

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“Pia de’ Tolomei”, by Domenico Trentacoste, 1896, plaster.

“Pia de’ Tolomei”, by Domenico Trentacoste, 1896, plaster.

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“The love of the poet Sordello and Cunizza, countess of St. Bonifacio”, by Federico Faruffini, 1864, oil painting on canvas.

“The love of the poet Sordello and Cunizza, countess of St....

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“The love of the poet Sordello and Cunizza, countess of St. Bonifacio”, by Federico Faruffini, 1864, oil painting on canvas.

“The love of the poet Sordello and Cunizza, countess of St....

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“Paolo and Francesca”, by Gaetano Previati, 1909, oil painting on canvas.

“Paolo and Francesca”, by Gaetano Previati, 1909, oil painti...

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“Dante and Casella”, by Amos Cassioli, 1858-62, oil painting on canvas.

“Dante and Casella”, by Amos Cassioli, 1858-62, oil painting...

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“Dante and Beatrice”, by Giulio Aristide Sartorio, 1896, oil painting on canvas on cardboard. Detail.

“Dante and Beatrice”, by Giulio Aristide Sartorio, 1896, oil...

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“Dante meeting Matelda”, by Nicolò Barabino, 1876-87, oil painting on canvas.

“Dante meeting Matelda”, by Nicolò Barabino, 1876-87, oil p...

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“Dante and Beatrice”, by Giulio Aristide Sartorio, 1896, oil painting on canvas on cardboard.

“Dante and Beatrice”, by Giulio Aristide Sartorio, 1896, oil...

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“Dante and Beatrice”, by Daniele Ranzoni, 1864-7, oil painting on cardboard.

“Dante and Beatrice”, by Daniele Ranzoni, 1864-7, oil painti...

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“Dante”, “Beatrice” by Tuscan workshop, second half XIX century, marble.

“Dante”, “Beatrice” by Tuscan workshop, second half XIX cent...

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“Dante meeting Beatrice”, by Henri Jean Guillaume Martin, 1898, coloured lithograph.

“Dante meeting Beatrice”, by Henri Jean Guillaume Martin, 18...

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“Beatrice”, by Giovanni Dupré, 1843-5, marble. Detail.

“Beatrice”, by Giovanni Dupré, 1843-5, marble. Detail.

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“Beatrice”, by Giovanni Dupré, 1843-5, marble. Detail.

“Beatrice”, by Giovanni Dupré, 1843-5, marble. Detail.

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“Beatrice”, by Giovanni Dupré, 1843-5, marble.

“Beatrice”, by Giovanni Dupré, 1843-5, marble.

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“Dante”, by Giovanni Dupré, 1845, marble.

“Dante”, by Giovanni Dupré, 1845, marble.

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“Dante meeting Beatrice”, by Raffaello Sorbi, 1863, oil painting on canvas.

“Dante meeting Beatrice”, by Raffaello Sorbi, 1863, oil pain...

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“Meeting of Dante and Beatrice”, by Gustav Meisel (copy after Henry Holiday), end XIX century, painted porcelain, Konigliche Porzellan Manufaktor Berlin.

“Meeting of Dante and Beatrice”, by Gustav Meisel (copy afte...

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“Centaur abducting two women”, after Auguste Rodin, 1897, photoengraving of the Album Fenaille.

“Centaur abducting two women”, after Auguste Rodin, 1897, ph...

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“The Heretics”, after Auguste Rodin, 1897, photoengraving of the Album Fenaille.

“The Heretics”, after Auguste Rodin, 1897, photoengraving of...

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“Count Ugolino in prison”, after Auguste Rodin, 1897, photoengraving of the Album Fenaille.

“Count Ugolino in prison”, after Auguste Rodin, 1897, photoe...

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“Dante in Meditation”, Jerónimo Suñol y Pujol, 1908, bronze.

“Dante in Meditation”, Jerónimo Suñol y Pujol, 1908, bronze.

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“Paolo and Francesca da Rimini in Hell”, before 1861, by Gustave Doré, India ink wash and white tempera on brown tinted paper.

“Paolo and Francesca da Rimini in Hell”, before 1861, by Gus...

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"Portrait of Dante", 1858, by anonymous (Gabriele Castagnola); oil painting on canvas

"Portrait of Dante", 1858, by anonymous (Gabriele Castagnola...

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"Portrait of Dante d’après the fresco in the Bargello chapel", post 1840, by anonymous; pencil, watercolour and white chalk on paper.

"Portrait of Dante d’après the fresco in the Bargello chapel...

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“Portrait of Dante”, by Cesare Mussini, about 1844, watercolour on cardboard

“Portrait of Dante”, by Cesare Mussini, about 1844, watercol...

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Florence, Cathedral of Santa Maria del Fiore (Duomo): “The Divine Comedy illuminates Florence”, also known as “Dante Alighieri's Divine Comedy”. Fresco by Domenico di Michelino (1465), designed by Alessio Baldovinetti,Detail of the Purgatory hill.

Florence, Cathedral of Santa Maria del Fiore (Duomo): “The...

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Florence, Cathedral of Santa Maria del Fiore (Duomo): “The Divine Comedy illuminates Florence”, also known as “Dante Alighieri's Divine Comedy”. Fresco by Domenico di Michelino (1465), designed by Alessio Baldovinetti,On the right: view of Florence, as an allegory of Paradise; it is one of the first views with the dome of the cathedral completed. In the centre, Dante holding the book with the opening words of the Divine Comedy. On the left, the Purgatory hill and the Hell.

Florence, Cathedral of Santa Maria del Fiore (Duomo): “The...

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Florence, Cathedral of Santa Maria del Fiore (Duomo): “The Divine Comedy illuminates Florence”, also known as “Dante Alighieri's Divine Comedy”. Fresco by Domenico di Michelino (1465), designed by Alessio Baldovinetti,Detail of the Purgatory hill.

Florence, Cathedral of Santa Maria del Fiore (Duomo): “The...

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Florence, Cathedral of Santa Maria del Fiore (Duomo): “The Divine Comedy illuminates Florence”, also known as “Dante Alighieri's Divine Comedy”. Fresco by Domenico di Michelino (1465), designed by Alessio Baldovinetti,Detail of the Purgatory hill.

Florence, Cathedral of Santa Maria del Fiore (Duomo): “The...

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Florence, Cathedral of Santa Maria del Fiore (Duomo): “The Divine Comedy illuminates Florence”, also known as “Dante Alighieri's Divine Comedy”. Fresco by Domenico di Michelino (1465), designed by Alessio Baldovinetti,On the right: view of Florence, as an allegory of Paradise; it is one of the first views with the dome of the cathedral completed. In the centre, Dante holding the book with the opening words of the Divine Comedy. Detail.

Florence, Cathedral of Santa Maria del Fiore (Duomo): “The...

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Florence, Cathedral of Santa Maria del Fiore (Duomo): “The Divine Comedy illuminates Florence”, also known as “Dante Alighieri's Divine Comedy”. Fresco by Domenico di Michelino (1465), designed by Alessio Baldovinetti,On the right: view of Florence, as an allegory of Paradise; it is one of the first views with the dome of the cathedral completed. In the centre, Dante holding the book with the opening words of the Divine Comedy. On the left, the Purgatory hill and the Hell.

Florence, Cathedral of Santa Maria del Fiore (Duomo): “The...

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"Allegorical portrait of Dante". Agnolo Bronzino 1532-1533, private collection.On the right the hill of Purgatory. In the centerDante shows a volume with pages referring to Canto XXV of Paradise. With his right hand he protects Florence, represented by his most important and representative buildings. Bottom left: the flames of Hell.

"Allegorical portrait of Dante". Agnolo Bronzino 1532-1533,...

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“Lunette of the Poets”, with portraits of Dante Alighieri and Boccaccio. Frescoes by Jacopo di Cione (brother of Orcagna) based on the iconographic program of Coluccio Salutati (1366-1406), preserved in the Palazzo dell'Arte dei Giudici e Notai, or del Proconsolo in Florence.

“Lunette of the Poets”, with portraits of Dante Alighieri an...

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"Allegory of Rhetoric"; below his ideal representative, probably Isocrates or Demosthenes. Frescoes by Jacopo di Cione (brother of Orcagna, 1366-1406) based on the iconographic program of Coluccio Salutati (1375-1406), preserved in the Palazzo dell'Arte dei Giudici e Notai, or del Proconsolo in Florence.

"Allegory of Rhetoric"; below his ideal representative, prob...

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"Allegory of Rhetoric"; below his ideal representative, probably Isocrates or Demosthenes. Frescoes by Jacopo di Cione (brother of Orcagna, 1366-1406) based on the iconographic program of Coluccio Salutati (1375-1406), preserved in the Palazzo dell'Arte dei Giudici e Notai, or del Proconsolo in Florence.

"Allegory of Rhetoric"; below his ideal representative, prob...

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"Portrait of Dante Alighieri". This is the oldest and most faithful documented portrait of Dante Alighieri.Frescoes by Jacopo di Cione (brother of Orcagna) based on the iconographic program of Coluccio Salutati (1375-1406) kept in the Palazzo dell'Arte dei Giudici e Notai, or Proconsolo, in Florence.

"Portrait of Dante Alighieri". This is the oldest and most...

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"Portrait of Dante Alighieri". This is the oldest and most faithful documented portrait of Dante Alighieri.Frescoes by Jacopo di Cione (brother of Orcagna) based on the iconographic program of Coluccio Salutati (1375-1406) kept in the Palazzo dell'Arte dei Giudici e Notai, or Proconsolo, in Florence.

"Portrait of Dante Alighieri". This is the oldest and most...

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Basilica of the Holy Cross, right aisle: "Dante's Cenotaph". the poet is mourned by the figures of Italy and Poetry, by Stefano Ricci. Giacomo Leopardi was inspired by this cenotaph when he composed the song "Sopra il monumento di Dante".

Basilica of the Holy Cross, right aisle: "Dante's Cenotaph"....

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"Paolo and Francesca da Rimini", (1855) by Dante Gabriel Rossetti (1828-1882); watercolour on paper. In the first scene Paul has an open book on his legs with an image of Lancelot who had a relationship with Geneva, wife of King Arthur. In the second scene, Dante led by Virgil to Hell. In the third scene the embrace between Paolo and Francesca.

"Paolo and Francesca da Rimini", (1855) by Dante Gabriel Ro...

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"Dante's Dream at the time of Beatrice's Death", (1856) by Dante Gabriel Rossetti (1828-1882); watercolour on paper.

"Dante's Dream at the time of Beatrice's Death", (1856) by...

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"Beata Beatrix", (1864 -70) by Dante Gabriel Rossetti (1828-1882); oil painting on canvas.The red head of hair is beautiful. The model is Elizabeth Siddal. Detail.

"Beata Beatrix", (1864 -70) by Dante Gabriel Rossetti (182...

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"Beata Beatrix", (1864 -70) by Dante Gabriel Rossetti (1828-1882); oil painting on canvas.The red head of hair is beautiful. The model is Elizabeth Siddal.

"Beata Beatrix", (1864 -70) by Dante Gabriel Rossetti (182...

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"Beata Beatrix", (1864 -70) by Dante Gabriel Rossetti (1828-1882); oil painting on canvas.The red head of hair is beautiful. The model is Elizabeth Siddal.

"Beata Beatrix", (1864 -70) by Dante Gabriel Rossetti (182...

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Study for "Giotto painting Dante's portrait",(1852) by Dante Gabriel Rossetti (1828-1882); ink on paper.

Study for "Giotto painting Dante's portrait",(1852) by Dan...

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Orvieto, Basilica Cathedral of Santa Maria Assunta (or Duomo), the interior, Chapel Nova or St. Brizio Chapel, the lower part of the walls, series of illustrious men where each figure is surrounded by monochrome rounds whose function is to identify the character through the representation of episodes from his works: "Dante reading his works ".

Orvieto, Basilica Cathedral of Santa Maria Assunta (or Duo...

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Orvieto, Basilica Cathedral of Santa Maria Assunta (or Duomo), the interior, Chapel Nova or St. Brizio Chapel, the lower part of the walls, series of illustrious men where each figure is surrounded by monochrome rounds whose function is to identify the character through the representation of episodes from his works: "Dante reading his works ".

Orvieto, Basilica Cathedral of Santa Maria Assunta (or Duo...

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Florence, Piazza Santa Croce: Monument to Dante Alighieri, by Enrico Pazzi.

Florence, Piazza Santa Croce: Monument to Dante Alighieri,...

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Florence, Piazza Santa Croce: Monument to Dante Alighieri, by Enrico Pazzi.

Florence, Piazza Santa Croce: Monument to Dante Alighieri,...